GRETEL TAYLOR
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SCARECROWS OF WYNDHAM VALE

In 2014, Gretel responded to a request to make scarecrows as part of Iramoo Community Centre’s school holiday program (for all ages) in Wyndham Vale, which is located beside Lollipop Creek. It had seemed inappropriate to scare away birds, when one of the most celebrated aspects of this area is its wetlands and abundant bird life. The project departed from the garden variety scarecrow to create ‘Glam-crows’ - clothed in shiny things, blue things, bright colours and bread! - in order to attract birds. Inverting the usual function and making scarecrows that attract, rather than scare, might also throw some ambiguity on perceptions of Wyndham Vale and its residents, suggesting ‘We are not necessarily what you might expect…’

The participants made wonderful scarecrows, each imbued with their own style (almost avatar-like). The ‘bling-ed up’ scarecrows, their makers and an entourage of local photographers went for a walk to the playground, along the creek and local streets. Participants were asked to place their scarecrows in relation to these neighbourhood sites. The scarecrows brought the place to life in a myriad of ways- charming, casual and hilarious. Kids were finding ‘treasures’ like gum-nuts and discovering tadpoles in the creek, and the photographers documented the scarecrows in relation to their makers and the environment. Some of these photos were exhibited for Iramoo Community Centre Festival, which adopted the scarecrow as a sort of mascot.


Scarecrows of Wyndham Vale was an Art and About project as part of ARC Discovery research 'Challenging Stigma' led by sociologist Deborah Warr through Centre for Health Equity, University of Melbourne.  Gretel was employed as Artist/Research Fellow from 2014-17 and evolved a site-responsive social practice approach to challenge place-based stigma, develop a sense of belonging and inclusion within neighbourhoods and present nuanced perspectives of a place to outside audiences.  Gretel had long-term residencies in Wyndham (Victoria) and Hobart, in which she engaged groups of residents in Art and About projects reflecting upon their neighbourhoods and creating collaborative artistic outcomes.


Photos by Lisa Field and Emmy Silvius
I acknowledge the Wurundjeri Woi wurrung and neighbouring Bunurong and Boon wurrung peoples of the eastern Kulin Nation as the Traditional Custodians of the unceded lands on which I live, work and dance. I pay deep respect to their Ancestors and Elders, past and present. I extend that respect to Traditional Owners of the many Countries on which I undertake my work and to all Aboriginal and Torres Strait Islander people. I pay deep respect to First Nations elders past and present, who have listened to Country and danced, sung and told stories in and about their places for millennia.

  • Home
  • About
  • Current
  • performance
    • Restless
    • A Blind Date with Blind Creek
    • Mountain to Mouth
    • Freak of nature
    • Divining Melbourne
    • Dances with Lyrebirds
    • Body of Water
    • Material Girl
    • Settling In/ It's MINE!
  • Video
    • Trespass
    • Scourge
    • Plateau
    • Hearth
    • Encroach
    • Still Landing
  • Curated projects
    • Dancing Place: Corhanwarrabul
    • Poetics of Home
    • Dancing Between Two Worlds 2019
    • Force of Nature 2018
    • Dancing Place Wyndham 2016-17
    • Curtain Call, Glenorchy 2015-16
    • Flash Frogs! 2015
    • Scarecrows of Wyndham Vale 2014
    • Southern Ngalia 2009>
  • TEACHING
  • cv